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Movies Detail of Outlaw! (1999)
✓ Title : Outlaw!
✓ Original Title : Ormai è fatta!
✓ Release Date : April 23rd, 1999
✓ Genres : Comedy, Drama
✓ Runtime : 110 minutes
✓ Director : Enzo Monteleone
✓ Cast : Giovanni Esposito, Antonio Catania, Stefano Accorsi, Alessandro Haber, Francesco Guccini, Antonio Petrocelli, Antonio Mazzara, Paolo Graziosi, Emilio Solfrizzi, Fabrizia Sacchi
✓ Original Title : Ormai è fatta!
✓ Release Date : April 23rd, 1999
✓ Genres : Comedy, Drama
✓ Runtime : 110 minutes
✓ Director : Enzo Monteleone
✓ Cast : Giovanni Esposito, Antonio Catania, Stefano Accorsi, Alessandro Haber, Francesco Guccini, Antonio Petrocelli, Antonio Mazzara, Paolo Graziosi, Emilio Solfrizzi, Fabrizia Sacchi
Synopsis of Outlaw! (1999)
The movie is based on the autobiography of Horst Fantazzini. Son of an anarchist, he was known in Northern Italy as "the gentleman bandit" because he robbed banks with no violence, using only a toy gun. After a number of trials and escapes, in the summer of 1973 he is held in the Fossano jailhouse in Piedmont when he tries to escape once again. This time things turn for worse and he has to use a real gun and take two policemen as hostages.
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◈ Outlaw! HD Ganzer Film Deutsch - Often strictly defined as a literary genre or form, though in practice it is also found in the graphic and performing arts. In satire, human or individual vices, follies, abuses, or shortcomings are held up to censure by means of ridicule, derision, burlesque, irony, or other methods, ideally with the intent to bring about improvement. Satire is usually meant to be funny, but its purpose is not primarily humour as an attack on something the author disapproves of, using wit. A common, almost defining feature of satire is its strong vein of irony or sarcasm, but parody, burlesque, exaggeration, juxtaposition, comparison, analogy, and double entendre all frequently appear in satirical speech and writing. The essential point, is that "in satire, irony is militant." This "militant irony" (or sarcasm) often professes to approve (or at least accept as natural) the very things the satirist actually wishes to attack.
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